Showing posts with label truth. Show all posts
Showing posts with label truth. Show all posts
Wednesday, November 12, 2014
Tuesday, November 11, 2014
Unused Creativity Becomes Toxic
So, my friend Rikki set me up with this lady by a few piercing quotes and I've been hooked ever since. This is a long interview, and far-reaching, but even if you have just ten minutes or so I say she's worth a gander. Groudbreaking points --- and not just one chick blathering, but the result of extensive research. It makes me thankful for the music teachers, hippies and counselors who cross(ed) my path.
Saturday, September 13, 2014
Will return November 1
The neighbor's Lhasa Apso comes over like clockwork most nights at 10:30 p.m. My husband always lets him in.
Today our friend Jeff returned to the sacraments after forty years away. Confession. Holy Mass. He said it felt too easy. Isn't mercy, if we've hidden from it, often like that? I'm restored to grace, through none of my own power?
The best working definition of the nature of evil I've heard goes something like, "Evil is the voice that tells you before you do something, that it's no big deal --- but the instant you do it, Evil tells you that same thing is unforgivable." I wonder if there's a parallel to virtue ~ does not Satan himself imply that certain pursuits are overwhelming, and then convict our efforts as falling short or being futile, in the flip of an instant?
How does the New Age prompt go --- "What would you do if you knew you could not fail?"
The good news is, all men have fallen short of the glory of God. We're in good company!
I'm tired. Gotta push Junior out the door to finish his rounds around the bluff. Stupid little dog. :)
Tuesday, September 9, 2014
The Jehovah's Witnesses keep coming over
"The Catholic Church is an institution that I am bound to hold divine --- but for unbelievers proof of its divinity might be found in the fact that no merely human institution conducted with such knavish imbecility would have lasted a fortnight." ~ Hillaire Belloc
A few years ago I suffered a setback in my enchantment with all things Catholic. I finally saw the impenetrable bureaucracy for what it was. A priest friend sat up late, listened and studied --- he said this was good, that getting pissed and not leaving was vital to developing a mature faith.
In the matter of Timothy Cardinal Dolan and every other source of ecclesial agitation, I'm marshaling hope that it's part of being sanctified. Living in an age of penance. Being thankful for every upright soul I can learn from. My duty is to serve Our Lord by loving my family. Life can be really simple. I have no reason to be ungrateful. And a grateful heart cannot be disturbed.
The cat is gagging super loudly in a corner of the kitchen and my 'free hour' during math and Sesame Street is coming to an end.
A few years ago I suffered a setback in my enchantment with all things Catholic. I finally saw the impenetrable bureaucracy for what it was. A priest friend sat up late, listened and studied --- he said this was good, that getting pissed and not leaving was vital to developing a mature faith.
In the matter of Timothy Cardinal Dolan and every other source of ecclesial agitation, I'm marshaling hope that it's part of being sanctified. Living in an age of penance. Being thankful for every upright soul I can learn from. My duty is to serve Our Lord by loving my family. Life can be really simple. I have no reason to be ungrateful. And a grateful heart cannot be disturbed.
The cat is gagging super loudly in a corner of the kitchen and my 'free hour' during math and Sesame Street is coming to an end.
Friday, September 5, 2014
She makes me want better hair, among other things
...And I find it telling that my husband isn't impressed by these. Her loyalty, her verve, the elegance in private (by all accounts); in public, her dismissal of pretension and pride, refusing to be tempted by false humility --- I told him it's because he's just like her in those regards. When we learned of her recent death, we stood in the kitchen out of earshot from the kids and whispered our favorite jokes of hers from the '90s. Here's an '80s treasure. (**update, Breitbart link)
Reading this gave context to her anger, which I sometimes found off-putting. I always loved her voice, literally and figuratively. Whatever else it might be, this is the kind of writer I aspire to be -- voice ringing so clearly. Can't you just hear her?
When I started out, a pretty girl did not go into comedy. If you saw a pretty girl walk into a nightclub, she was automatically a singer. Comedy was all white, older men. It was Jack Benny, Fred Allen, Bob Hope, Shelley Berman, Red Skelton ... even Amos and Andy were white men, which is hilarious if you think about it.
Phyllis Diller was happening right before me. But even Phyllis was a caricature, and I didn’t want to be a caricature. I was a college graduate; I wanted to get married.
I didn’t even want to be a comedian. Nobody wanted to be a comedian. Nowadays, everyone wants to be a comedian. You look at a Whitney Cummings, who is so beautiful -- she wanted to be a comedian! I wanted to be an actress. I was an office temp when one secretary said to me: “You’re very funny. You should go do stand-up, be a comedian. They make $6 a night some places.” And I said, “That’s more than I’m making as an office temp” -- I made eight, but I had to also pay for my Correcto-Type because I was a lousy speller -- so I thought, “Oh, I could do that and have days free to make the rounds.” And that’s why I became a comedian.
I had no idea what I was doing. The white men were doing “mother-in-law” and “my wife’s so fat …” jokes. It was all interchangeable. Bob Hope would walk into a town and say, “The traffic lights in this town are so slow that ...” and it could be any town. When I went onstage, that just didn’t feel right. So I just said, “Let me talk about my life.” It was at the moment when Woody Allen was saying, “Let me talk about my life,” and George Carlin was saying, “Maybe I'll talk about my life.” So I came in at the right moment.
My group was Woody and George and Richard Pryor and Bill Cosby. Rodney Dangerfield. Dick Cavett. All the ones who were coming up at the same time. But I never was one of the guys. I was never asked to go hang out; I never thought about it until later. They would all go to the Stage Delicatessen afterward and talk. I never got to go uptown and have a sandwich with them. So, even though I was with them, I wasn’t with them.
Everybody broke through ahead of me. I was the last one in the group to break through, or to be allowed to break through. Looking back, I think it was because I was a woman. Because in those days, they would come down to the Village and look at you for Johnny Carson. I was the very last one of the group they put on the Carson show.
I was brought up seven times to the Carson show -- interviewed and auditioned seven times by seven different people, and they rejected me, each time, over a period of three years. Then Bill Cosby was filling in, and the comedian that night bombed. Bill said to the booking producer, Shelly Schultz: “Joan Rivers couldn’t be any worse than this guy. Why don’t you use her?” And that’s when they put me on the show. But they didn’t bring me on as a stand-up comic. They brought me on as a funny girl writer. I’m the only stand-up that never did a stand-up routine on the Carson show.
Carson, give him credit, said on air in 1965, “You’re gonna be a star.” Right smack on the air.
I adored Johnny. In the ’70s, I did opening monologues, I was hosting. The turning point was when I left the show. Everybody left the show to go to do their own shows. Bill Cosby. David Brenner. George Carlin. Everybody. I stuck around for 18 years. And they finally offered me my own late-night show.
The first person I called was Johnny, and he hung up on me -- and never, ever spoke to me again. And then denied that I called him. I couldn’t figure it out. I would see him in a restaurant and go over and say hello. He wouldn’t talk to me.
I kept saying, “I don’t understand, why is he mad?” He was not angry at anybody else. I think he really felt because I was a woman that I just was his. That I wouldn’t leave him. I know this sounds very warped. But I don’t understand otherwise what was going on. For years, I thought that maybe he liked me better than the others. But I think it was a question of, “I found you, and you’re my property.” He didn’t like that as a woman, I went up against him.
And I was put up against him. In the press, he said, “She didn’t call me, and she was so terrible.” When you’ve told the truth and you read a lie, there’s nothing you can do about it. To this day, I’m very angry about that. Don’t f---in’ lie. You’re making, what, $300 million a year? What are you talking about? And I was going on Fox. Fox didn’t even have call letters at that point. Fox wasn’t Fox. Fox was six stupid little stations.
Looking back, and I never like to say it, the Carson breakup hurt me a lot, without realizing it. Even now, with our reality show Joan & Melissa: Joan Knows Best? or Fashion Police, when I say, “No, this is wrong,” people say: “See? She is a bitch. She is a c---.” If I were a man, they’d say: “So brilliant. He’s tough, but he’s right.” Nobody ever says to me, “You’re right.”
I have a friend. She was a producer at NBC and so brilliant. And they fired her because she was very abrasive. Lorne Michaels has a reputation of being a tough nut. But they all say, “That Lorne, he’s mean, but he’s brilliant.”
This woman, they said, “Oh, she’s too nasty.” But she pulled in the numbers.
It’s very tough in the business. My act consists of my gown that I carry and two spotlights and a microphone. I’ll do my sound check, and sometimes they’re not happy when I say, “The sound isn’t right,” or “Can we try other lights?” Because they’re men at the board. And lighting is very key for a woman, especially. I’ve been in the business almost 50 years -- I know my f---ing lighting. And there is always pushback from the lighting people. They just don’t want to hear it from a woman. They just don’t want to give you that cookie.
I don’t want to hear that male comics want someone to match wits with. No, they don’t. They want someone to sit there and gaze at them adoringly. That’s still what they want. The upside is, they don’t get to wear the pretty clothes. They don’t get to have the pretty dressing room. Women comedians get the private bathroom first.
During women’s lib, which was at its height in the ’70s, you had to say: “F--- the men. I could do better.” I think women did themselves a disservice because they wouldn’t talk about reality. Nobody wanted to say, “I had a lousy date” or “He left me.” But if that’s your life, that’s what they wanna hear. If you look around, very few women comics came out of the ’70s. It really started again in the ’90s, when they realized, it’s all right to say you wanna get married. It’s all right to say I wanna be pretty. That’s also part of your life. Thank God. Because now you know, we’ve got Whitney. I love Whitney. I think what she does is so smart. Sarah Silverman, oh my God. You just look at them and go: Good girls.
I love stand-up -- the connection with an audience is awesome. I just played Royal Albert Hall, which is 4,500 people, probably not a lot for some. But for me, it was amazing. The energy! From the beginning, and to this day, I would never tell a lie onstage. So now I walk out, I go, “I’m so happy to see you,” and I really truly am so happy to see them. The one thing I brought to this business is speaking the absolute truth. Say only what you really feel about the subject. And that’s too bad if they don’t like it. That’s what comedy is. It’s you telling the truth as you see it.
I think it was Cosby who also said to me, “If only 2 percent of the world thinks you’re funny, you’ll still fill stadiums for the rest of your life.”
My advice to women comedians is: First of all, don’t worry about the money. Love the process. You don’t know when it’s gonna happen. Louis C.K. started hitting in his 40s; he’d been doing it for 20 years. And don’t settle. I don’t want to ever hear, “It’s good enough.” Then it’s not good enough. Don’t ever underestimate your audience. They can tell when it isn’t true. Also: Ignore your competition. A Mafia guy in Vegas gave me this advice: “Run your own race, put on your blinders.” Don’t worry about how others are doing. Something better will come.
Ignore aging: Comedy is the one place it doesn’t matter. It matters in singing because the voice goes. It matters certainly in acting because you’re no longer the sexpot. But in comedy, if you can tell a joke, they will gather around your deathbed. If you’re funny, you’re funny. Isn’t that wonderful?
If there is a secret to being a comedian, it’s just loving what you do. It is my drug of choice. I don’t need real drugs. I don’t need liquor. It’s the joy that I get performing. That is my rush. I get it nowhere else.
What pleasure you feel when you’ve kept people happy for an hour and a half. They’ve forgotten their troubles. It’s great. There’s nothing like it in the world. When everybody’s laughing, it’s a party. And then you get a check at the end. That’s very nice.
Reading this gave context to her anger, which I sometimes found off-putting. I always loved her voice, literally and figuratively. Whatever else it might be, this is the kind of writer I aspire to be -- voice ringing so clearly. Can't you just hear her?
+++
Joan Rivers: Why Johnny Carson Never Ever Spoke to Me Again -- taken from The Hollywood ReporterWhen I started out, a pretty girl did not go into comedy. If you saw a pretty girl walk into a nightclub, she was automatically a singer. Comedy was all white, older men. It was Jack Benny, Fred Allen, Bob Hope, Shelley Berman, Red Skelton ... even Amos and Andy were white men, which is hilarious if you think about it.
Phyllis Diller was happening right before me. But even Phyllis was a caricature, and I didn’t want to be a caricature. I was a college graduate; I wanted to get married.
I didn’t even want to be a comedian. Nobody wanted to be a comedian. Nowadays, everyone wants to be a comedian. You look at a Whitney Cummings, who is so beautiful -- she wanted to be a comedian! I wanted to be an actress. I was an office temp when one secretary said to me: “You’re very funny. You should go do stand-up, be a comedian. They make $6 a night some places.” And I said, “That’s more than I’m making as an office temp” -- I made eight, but I had to also pay for my Correcto-Type because I was a lousy speller -- so I thought, “Oh, I could do that and have days free to make the rounds.” And that’s why I became a comedian.
I had no idea what I was doing. The white men were doing “mother-in-law” and “my wife’s so fat …” jokes. It was all interchangeable. Bob Hope would walk into a town and say, “The traffic lights in this town are so slow that ...” and it could be any town. When I went onstage, that just didn’t feel right. So I just said, “Let me talk about my life.” It was at the moment when Woody Allen was saying, “Let me talk about my life,” and George Carlin was saying, “Maybe I'll talk about my life.” So I came in at the right moment.
My group was Woody and George and Richard Pryor and Bill Cosby. Rodney Dangerfield. Dick Cavett. All the ones who were coming up at the same time. But I never was one of the guys. I was never asked to go hang out; I never thought about it until later. They would all go to the Stage Delicatessen afterward and talk. I never got to go uptown and have a sandwich with them. So, even though I was with them, I wasn’t with them.
Everybody broke through ahead of me. I was the last one in the group to break through, or to be allowed to break through. Looking back, I think it was because I was a woman. Because in those days, they would come down to the Village and look at you for Johnny Carson. I was the very last one of the group they put on the Carson show.
I was brought up seven times to the Carson show -- interviewed and auditioned seven times by seven different people, and they rejected me, each time, over a period of three years. Then Bill Cosby was filling in, and the comedian that night bombed. Bill said to the booking producer, Shelly Schultz: “Joan Rivers couldn’t be any worse than this guy. Why don’t you use her?” And that’s when they put me on the show. But they didn’t bring me on as a stand-up comic. They brought me on as a funny girl writer. I’m the only stand-up that never did a stand-up routine on the Carson show.
Carson, give him credit, said on air in 1965, “You’re gonna be a star.” Right smack on the air.
I adored Johnny. In the ’70s, I did opening monologues, I was hosting. The turning point was when I left the show. Everybody left the show to go to do their own shows. Bill Cosby. David Brenner. George Carlin. Everybody. I stuck around for 18 years. And they finally offered me my own late-night show.
The first person I called was Johnny, and he hung up on me -- and never, ever spoke to me again. And then denied that I called him. I couldn’t figure it out. I would see him in a restaurant and go over and say hello. He wouldn’t talk to me.
I kept saying, “I don’t understand, why is he mad?” He was not angry at anybody else. I think he really felt because I was a woman that I just was his. That I wouldn’t leave him. I know this sounds very warped. But I don’t understand otherwise what was going on. For years, I thought that maybe he liked me better than the others. But I think it was a question of, “I found you, and you’re my property.” He didn’t like that as a woman, I went up against him.
And I was put up against him. In the press, he said, “She didn’t call me, and she was so terrible.” When you’ve told the truth and you read a lie, there’s nothing you can do about it. To this day, I’m very angry about that. Don’t f---in’ lie. You’re making, what, $300 million a year? What are you talking about? And I was going on Fox. Fox didn’t even have call letters at that point. Fox wasn’t Fox. Fox was six stupid little stations.
Looking back, and I never like to say it, the Carson breakup hurt me a lot, without realizing it. Even now, with our reality show Joan & Melissa: Joan Knows Best? or Fashion Police, when I say, “No, this is wrong,” people say: “See? She is a bitch. She is a c---.” If I were a man, they’d say: “So brilliant. He’s tough, but he’s right.” Nobody ever says to me, “You’re right.”
I have a friend. She was a producer at NBC and so brilliant. And they fired her because she was very abrasive. Lorne Michaels has a reputation of being a tough nut. But they all say, “That Lorne, he’s mean, but he’s brilliant.”
This woman, they said, “Oh, she’s too nasty.” But she pulled in the numbers.
It’s very tough in the business. My act consists of my gown that I carry and two spotlights and a microphone. I’ll do my sound check, and sometimes they’re not happy when I say, “The sound isn’t right,” or “Can we try other lights?” Because they’re men at the board. And lighting is very key for a woman, especially. I’ve been in the business almost 50 years -- I know my f---ing lighting. And there is always pushback from the lighting people. They just don’t want to hear it from a woman. They just don’t want to give you that cookie.
I don’t want to hear that male comics want someone to match wits with. No, they don’t. They want someone to sit there and gaze at them adoringly. That’s still what they want. The upside is, they don’t get to wear the pretty clothes. They don’t get to have the pretty dressing room. Women comedians get the private bathroom first.
During women’s lib, which was at its height in the ’70s, you had to say: “F--- the men. I could do better.” I think women did themselves a disservice because they wouldn’t talk about reality. Nobody wanted to say, “I had a lousy date” or “He left me.” But if that’s your life, that’s what they wanna hear. If you look around, very few women comics came out of the ’70s. It really started again in the ’90s, when they realized, it’s all right to say you wanna get married. It’s all right to say I wanna be pretty. That’s also part of your life. Thank God. Because now you know, we’ve got Whitney. I love Whitney. I think what she does is so smart. Sarah Silverman, oh my God. You just look at them and go: Good girls.
I love stand-up -- the connection with an audience is awesome. I just played Royal Albert Hall, which is 4,500 people, probably not a lot for some. But for me, it was amazing. The energy! From the beginning, and to this day, I would never tell a lie onstage. So now I walk out, I go, “I’m so happy to see you,” and I really truly am so happy to see them. The one thing I brought to this business is speaking the absolute truth. Say only what you really feel about the subject. And that’s too bad if they don’t like it. That’s what comedy is. It’s you telling the truth as you see it.
I think it was Cosby who also said to me, “If only 2 percent of the world thinks you’re funny, you’ll still fill stadiums for the rest of your life.”
My advice to women comedians is: First of all, don’t worry about the money. Love the process. You don’t know when it’s gonna happen. Louis C.K. started hitting in his 40s; he’d been doing it for 20 years. And don’t settle. I don’t want to ever hear, “It’s good enough.” Then it’s not good enough. Don’t ever underestimate your audience. They can tell when it isn’t true. Also: Ignore your competition. A Mafia guy in Vegas gave me this advice: “Run your own race, put on your blinders.” Don’t worry about how others are doing. Something better will come.
Ignore aging: Comedy is the one place it doesn’t matter. It matters in singing because the voice goes. It matters certainly in acting because you’re no longer the sexpot. But in comedy, if you can tell a joke, they will gather around your deathbed. If you’re funny, you’re funny. Isn’t that wonderful?
If there is a secret to being a comedian, it’s just loving what you do. It is my drug of choice. I don’t need real drugs. I don’t need liquor. It’s the joy that I get performing. That is my rush. I get it nowhere else.
What pleasure you feel when you’ve kept people happy for an hour and a half. They’ve forgotten their troubles. It’s great. There’s nothing like it in the world. When everybody’s laughing, it’s a party. And then you get a check at the end. That’s very nice.
+ + +
Tuesday, September 2, 2014
for Amber, our own Auntie Leila --- who brings domesticity everywhere she goes
"... to be fair, some cocktails contain fruit."
and Alaska in the news!
Tonight we're joining the viewers of Yukon Men and having friends over for pizza.
This morning eighty pounds of school supplies arrived with the mailman, Ray, who kept apologizing that his bum knee meant he couldn't lug the boxes up our steps. The 1982 song 'Gloria' was blasting from his USPS jeep. I still want to write a book about the history of mail delivery in our great state, but if there's one barometer of my mania, it's the planning! of all the projects! Fall is the perfect time to settle in to the real (sometimes stifling) challenge of home's own rhythms.
and Alaska in the news!
Tonight we're joining the viewers of Yukon Men and having friends over for pizza.
This morning eighty pounds of school supplies arrived with the mailman, Ray, who kept apologizing that his bum knee meant he couldn't lug the boxes up our steps. The 1982 song 'Gloria' was blasting from his USPS jeep. I still want to write a book about the history of mail delivery in our great state, but if there's one barometer of my mania, it's the planning! of all the projects! Fall is the perfect time to settle in to the real (sometimes stifling) challenge of home's own rhythms.
Tuesday, August 19, 2014
I swear to you that I saw Woody Harrelson in a maroon 1987 Subaru GL wagon...
Monday, August 11, 2014
Is the Church a Clubhouse or a Lighthouse? by Msgr. Charles Pope
(copied from his blog here)
OK, so the title asks two focal questions plainly enough. Let’s begin with the first, “Is the Church a clubhouse or a lighthouse?”
OK, so the title asks two focal questions plainly enough. Let’s begin with the first, “Is the Church a clubhouse or a lighthouse?”
Many, it would seem, want the Church just to be a friendly place where people can gather. Many of these same people get angry when the Church shines the light of truth on something. They declare that the Church should just be open and inviting. They object when She is challenging and points to the demands of the Gospel.
But the Church has to be more than a clubhouse otherwise She is no different from a bowling league or the Moose Lodge. She is most certainly meant to be a lighthouse, a warning of danger giving light to those in darkness. But in doing so, She is also risking that some who are accustomed to the darkness will complain of the Light of Christ She reflects.
Here then is a focal question: clubhouse or lighthouse? Of course there does not need to be a radical dichotomy here. There are surely social aspects of the Church wherein She builds community. But mission needs to be first and it is our mission to be light that actually builds community since we are focused on one goal, not merely individual interests.
Another and even more provocative image is in the video from Ignitermedia.com, which asks if the Church is a cruise ship or a battleship.
Many, it would seem, surely think of the Church as more of a cruise ship: one that exists for my pleasure and entertainment. “Peel me a grape!” seems to be the attitude that some bring to Church. The video does a good job of pointing out how many think of the Church as a cruise ship by listing the questions many ask of a luxury cruise liner.
- Do I like the music they play in the ballroom?
- Do I like the captain and his crew?
- Is the service good?
- Am I well fed?
- Are my needs met promptly?
- Is the cruise pleasant?
- Am I comfortable?
- Will I cruise with them again?
It is true that our parishes ought to work very hard to make sure the faithful are effectively served and helped to find God. Good sermons, excellent and obedient liturgy (including good music), a beautiful Church, and dedicated clergy and lay staff are all important. God deserves the very best and so do His people.
However, it also follows that the world does not exist merely to please me. No parish we attend will ever be exactly the way we want it. No priest preaches perfectly every Sunday. The choir does not always sing my favorites.
Some people stay away from Mass calling it “boring,” or saying they aren’t being fed. But in the end, it’s not about you! We go to Mass to worship God because God is worthy, because God deserves our praise, and because He has commanded us to be there. God has something important to say to us whether we want to hear it or not. He directs us to eat his flesh and drink his blood whether we like it or not. We must eat or we will die. Holy Mass is about God and what He is saying and doing.
The video goes on to suggest a better image for the Church—a battleship. I was less impressed with the questions given in the video comparing the Church and a battleship, so I’ve added my some of my own as well.
- Is the ship on a clear and noble mission?
- Is the ship able to endure storms at sea?
- Does the captain submit to a higher authority?
- Are the tactics and moves of the enemy well understood by bridge crew?
- Does the bridge crew have proper training and experience?
- Are the general crew members equipped to succeed?
- Is the general crew well trained in the available weaponry?
- Does the general crew cooperate with the captain?
- Are they taught to be disciplined and vigilant?
- Are they rooted in (naval) tradition yet well aware of current circumstances?
- Are they at their posts?
- Do they take the battle seriously?
- Does the ship have adequate first aid and medical help?
- Is the crew properly fed?
Some dislike any military imagery in reference to the faith. But pugna spiritalis (spiritual battle) is a simple fact. We are besieged by the world, the flesh, and the devil. We are called to engage in the battle and, by God’s grace, to persevere through to victory. Our weapons are the Word of God, the Teachings of the Church, the Sacraments, and prayer. We cannot win on our own; we must work together under the authority of the Church, which is Herself under God’s care and authority. We are rooted in the wisdom of tradition and, guided by the Pope and Bishops, we are to apply that wisdom and our training to these current times. Peter’s Barque has endured many storms yet has never sunk. She is a sure, steady ship on a clear and noble mission.
Sunday, August 10, 2014
Friday, August 1, 2014
an ordeal
So, on the eve of Alaska giving in to Big Marijuana and recreational pot-faux-pharma, I've been asking many of our friends and relatives their opinion on the subject. I learn from different points of view, am grieved by others, but in the end I appreciate that drugs market themselves, and the interior conditions of a soul are what makes them attractive --- packaging & distribution really is an afterthought. I do find some amusement in the irony of the most vociferous weed advocates being rabidly opposed to cigarette use.
However, woe unto the society that removes the protection for its most vulnerable populations. On a personal note, as a heavy daily pot smoker for five or six years, at least when I offered my loyalty, conscience and identity to drugs, it was clear that the trade-off was opting out of polite society in quantifiable ways. I was intuitively given the gift of shame. For that, I thank my parents and the ambient cultural defaults (in the mental health world these are 'norms' and risk/protective factors, which is neutral language for standards and expectations. It is objectively cruel to remove them...) which are being so rapidly discarded. Maybe that's one definition of aging --- hand-wringing at the new school, love for the old school. :)
May we elevate all people to keep their drug use in the back alleys. And at least stop short of telling wannabe scholars that getting stoned will get them anywhere except stoned.
In lieu of waxing emotively to placate or antagonize the Libertarian streak, the comfortable conservative, or the rebellious Republican, I'll just let Louis C.K. share the giggles. And yes, he curses.
However, woe unto the society that removes the protection for its most vulnerable populations. On a personal note, as a heavy daily pot smoker for five or six years, at least when I offered my loyalty, conscience and identity to drugs, it was clear that the trade-off was opting out of polite society in quantifiable ways. I was intuitively given the gift of shame. For that, I thank my parents and the ambient cultural defaults (in the mental health world these are 'norms' and risk/protective factors, which is neutral language for standards and expectations. It is objectively cruel to remove them...) which are being so rapidly discarded. Maybe that's one definition of aging --- hand-wringing at the new school, love for the old school. :)
May we elevate all people to keep their drug use in the back alleys. And at least stop short of telling wannabe scholars that getting stoned will get them anywhere except stoned.
In lieu of waxing emotively to placate or antagonize the Libertarian streak, the comfortable conservative, or the rebellious Republican, I'll just let Louis C.K. share the giggles. And yes, he curses.
Sunday, July 27, 2014
Monday, July 7, 2014
Be Where Your Hands Are
A mantra for summer ~ free from expectations or anxiety.
Guide my hands to align my intellect with God's will. Focus.
I will be where my hands are.
Today marks five years since my Grandma Ruby's death. Next month will mean ten years without my Grandma Katherine. Along with my cousins and our parents, I still miss the comfort and dignity of their love. Living a life they could approve of is one of my stronger desires.
We recently had a pet laid to rest, a milestone I can't quite face on the poetic plane yet --- but a quick depiction of my Grandmas' differences is their approach to precious kitties. Grandma Katherine would've termed them exactly that, with the regal Peaches and Plummy reigning in her Minnesota home for nearly twenty years. Just as tender is Grandma Ruby's response to seeing Stella, our cross-eyed , wiry little Red Point Siamese. Although she was thoroughly Californian by the time I was born, Grandma Ruby's voice always hinted at wry Texan debutante:
"what -- is that?"
"That's Stella, Gramma."
"Weyhll, you need to get rid of it."
That was at least twelve years ago, and I still laugh when I tell the story. Last night my husband said to my giggling recount, "...She was right."
But Stella's at my side this very moment, so my hands will guide the rest of me today --- every gesture increasing the distance from life with Oscar.
Guide my hands to align my intellect with God's will. Focus.
I will be where my hands are.
Today marks five years since my Grandma Ruby's death. Next month will mean ten years without my Grandma Katherine. Along with my cousins and our parents, I still miss the comfort and dignity of their love. Living a life they could approve of is one of my stronger desires.
Veronica Suzanne, our first November baby |
"what -- is that?"
"That's Stella, Gramma."
"Weyhll, you need to get rid of it."
That was at least twelve years ago, and I still laugh when I tell the story. Last night my husband said to my giggling recount, "...She was right."
But Stella's at my side this very moment, so my hands will guide the rest of me today --- every gesture increasing the distance from life with Oscar.
Sunday, June 29, 2014
so you live in a mission diocese...
"...then, as now, degenerate sinners are offended by the inflexible intolerance of Catholic morality..."
Here's a wealth of teaching worth sharing:
http://www.audiosancto.org/
Wednesday, June 18, 2014
What the Mahoneys Mean to Me
It's Father's Day. The guys are a few paces ahead of me on the homestead, as the languid sunshine propels us toward another family's story. I'm following an informal pilgrimage at the speed of happy toddlers and aging dogs, having momentarily left behind the annual Mahoney Grotto picnic. Our kids moseyed up to the barbeque buffet a few hours before, adding bananas, cookies and tea to the homemade sausage, roasted chickens, varied casual food and salads.
In front of the picturesque log home, I watch a guy whose name I'm unsure of pet a horse and smile shyly towards the camera. Another newly sober friend takes his picture with an iPhone. My heart is pierced by the simplicity of what's going on and the profundity I know it to be --- peace of mind, freedom of movement. Walking down a road among friends, without heroin or its effects as part of today's journey. I may not know his name, but I've heard this young guy impart Christian mercy towards his still-drunk mother on a candlelit Mother's Day. He has memorably intimated a Bush Alaska childhood with every abject sadness that can entail --- followed by the despair of aging out of foster care and directly into the dope house. The loneliness of belonging nowhere.
But not today. Today he's with the Mahoney family. And what a fold to be welcomed into, under the crisp blue mantle of Our Blessed Mother and the Alaskan sky, in a space built to honor their earthly mother.
Car after car parks across the outer reaches of Wasilla's Schrock Road, depositing more smiling faces, absorbed into still more giddy embraces.
Two and a half generations of men play football through rain and shine, with a mix of manhood and gentility that comes from staying close to the earth and each other. At one point, there were haphazard games of Frisbee being played through the middle of the football scramble, and our three-year-old son became fixated on possession of the yellow Frisbee. They humor him for awhile, but then a big boy crouches to explain the rules. "You have to throw the yellow circle, you can't keep it for yourself. You can play with us, but you gotta do the game." The shock of being asked to uphold any standards is immediate. He wails for his mother, allows me to hug him and cluck over the injustice. Then he grows quiet and rips straight back into the action. My role fulfilled, I return to the assembled brothers, sisters and cousins who have invited us for the day.
Back at the towering pod of birch splashed near the grotto, lighthearted Jungian psychology ensues, followed by a dissection of comedian Chris Rock's brilliance, then trading of recent travel stories, updates on work and worship, and an absolute fireside contentment with the human condition. Siblings and nephews check in on family business and health affairs, with tears and triumphs quietly exchanged. Babies wander to greet their grandfathers from perches against tree trunks, low-slung chairs and truck tailgates.
Throughout the afternoon, at least seven pots of coffee are brewed and shared. During this particular party I'd come without diapers for my toddlers, not a mishap new to me, and apparently not one they've never seen before either. In fact, I've never met so many grown men with Pull-ups and baby wipes stashed in the cabs of their beefy pickups. Ten-year-old boys stand stick straight and acknowledge children who are new to the fold with uncanny verve --- grilled hot dog in one hand, the other extended to greet friends with a handshake. Children ride past on the golden bare backs of horses, and a four wheeler crawls by with a dozen bouncing faces laughing from its trailer. My kids are in there somewhere. I overhear James, a local cabbie, asking what a grotto is, and Barney explaining it's Latin for crypt and means a place to pray. James asks permission to add his own rosary beads, from an ACTS retreat in Juneau years before, to the offerings inside. A few times I usher my kids away from the votives and statues, but I eventually give in to the friendly, insistent tones of Mahoney mothers young and old: they are perfectly welcome in there. Please.
I can now include myself in the tender rank of moms-in-need for whom Barney Mahoney has been known to produce dry clothing, diapers and a hot meal. A guy who knows the ropes once confided that it's Mahoney policy to stop for all hitchhikers, regardless of circumstances or disruption to his own schedule. Barney accepts no money for rides, often towing and fixing the stranded vehicles himself. Sometimes a tank of gas is the solution. Sometimes, single mothers are given the bad news that their cars are broken beyond repair, followed by the gift of a used car that runs just fine. I knew a lady who said his treatment of her was the first noble exchange from any man she'd known in forty years.
The Mahoneys don't fit into any prescribed camp: they're at once sincerely humble and born orators. A five-minute chat reveals them to be philosophically airtight, but with cowboy swagger and grammar to match. They are both wild-eyed and utterly serene. Their devotion, workmanship and credentials make heads swivel. I've seen them diffuse borderline psychotic, volatile characters with a reprimand and a hug. There would seem to be little place for saccharine piety among them -- considering the unflinching duty to truth and mercy they personify -- yet their poetry rings 100% sentimental Irishman. They are trappers, miners, steel workers, storytellers, musicians, entrepreneurs, hunters, fishermen, blacksmiths, woodworkers, bikers, builders, and farmers. (And those are just the six or seven of them that I know...) They are here to honor their mother and their father. They all know how to cook. On this day, they're willing to roast marshmallows for a continual stream of children, provided each one have dinner first and mom's permission.
![]() |
Photo by Bill Hess |
I spend a lot of time with a lot of people who talk a lot of shit about faith, hope and charity. If the greatest of these virtues is love, why does this day look so different from most stuff I read or hear? The Mahoneys make it look easy. Joyous. Immediately possible. Their sacrifice and toil on each others' behalf is borne without calculation, shrill preaching, or pecking order. They just love. This family overflows with love, heaped on with human frailty, God's strength, and more love. Even though this isn't my first visit to the grotto, and I've logged hundreds of hours with Patrick, Paulie, and Barney, I'm thrown off kilter by the whole experience. Their rough-hewn setting and elegant hearts are healing people, through the grace of God. This is the grit that social workers, municipal food banks, SWAT teams and prisons cannot touch. I feel silly for ever wanting to buy a tapestry with the corporal works of mercy woven into it.
Since becoming a wife and mother, I've been increasingly drawn in by chatter about the Benedict Option, and set out with a hunger for it, visited often by the idea as life unfolds ~ for a fleeting sunny day in June, we were immersed in the fruits of precisely what Alisdair McIntyre describes in the final paragraph of After Virtue. My favorite depiction is contained in John T. Goerke's recent analysis: "The Benedict Option then is not a retreat into a cave, but an advance down the barrel of a shotgun."
Paul and Iona's descendants are indeed preserving their traditional culture, yet standing at the ready to receive the walking dead of modern culture, with a greased wrench in one hand and a rosary in the other. Their good-natured, fearless proclamation of God's Kingdom is magnetic. I felt like a fellow traveler, even among the dozen-plus Mahoneys previously unmet. Supernatural forces were unmistakably present. Part of me wanted to stay forever.
Another part of me knows that I witnessed nothing more than a hardworking bunch of people, hard at play on their family ranch. Let their welcome not be wasted on me, I pray. The good life is within reach --- of anyone who's willing to reach out to the guy next to him.
Surely I'm flattering myself, but I'd like to think the Mahoneys are my kind of people.
![]() |
Photo by Bill Hess, 2012 |
"The most extraordinary thing in the world
is an ordinary man and an ordinary woman
and their ordinary children." ~ G.K. Chesterton
Wednesday, May 21, 2014
Sunday, May 11, 2014
my Blessed Mother Ship

Who can be objective about their own mother? Maybe that's a futile goal anyway --- since the unique status of mother and child means a tenderness that defies general description. My brother and I have felt the ferocity of our mother's protection in a hundred ways, giving us a timeless oasis of security. It was memorably expressed when he sought to deploy her talents on some high school official who had smited him: "Give them your Cruella Deville, Mom, I know you can do it." (She declined, as I recall --- and he got to sit in detention.)
Anyone who knows my mom sucks air if I mention that she's a twin ~ their disbelief is suspended when the clarification comes. A twin brother. Fraternal twins. We all know there's only one Margaret.
If Gilda Radner and Jacqueline Onassis commingled into one being, my mom would still be cooler. She favors Elle, Vogue and Vanity Fair: I'll be in the corner with Strunk & White. In hindsight, I realize she knew all about Dylan Thomas --- but she let me breathlessly share my discovery of his work and the companionship I found there. Ditto Marlo Thomas, St. Jude himself, Janis Joplin, romanticizing tragedy, Indian food, and the open road. She'd seen it all before.
From her I inherited my terrible driving, patience with weirdos, unflinching optimism, hunger for a storyline, and social groove. She never limited my interests or dictated morals, meaning there was no sting of judgment when heartbreak or disaster visited. I got to own it. Similarly, achievements and joy have been mine to savor, with her constant encouragement but never co-opting. My mom let me become the person I was meant to be. She seemed unthreatened by the emotional risks of raising children --- which I now know to be impossible --- today, I appreciate her allowances as trust, that God and goodness will prevail.
Even recognizing that freedom, each time over the past ten years I've thought I'd lost one of my children (in a water park, at a gas station, the bluegrass festival, and so on) my dominant fear has been disappointing my mother. Some things aren't real until you have to explain it to Mom, right? In every such brief, grave episode my brain seemed to illogically skip straight to remnants of my misspent youth: "My mom is going to be so pissed, you guys. She really liked that baby."

Moms imbue so many traits before we realize they're unique. If I am a little iceberg bobbing around the universe, my mom is the piece of Earth from which I calved ~ at once adaptable, immovable, and regal. If I've ever been fearless, dignified, unconventional, it's because I'm her daughter. My favorite compliments are when she compares me favorably to her own mother. I expect my daughters feel the same.
Happy 36 years of motherhood, Mom. Veronica is right --- you da awesomest. I praise God for the multitudes you contain, and for your continual willingness to sail me home.
* * *
(so Tori Amos is probably a little ponderous for my mom's tastes. She's more of a Chaka Khan lady.)But, here we go -- nobody vamps at a piano with quite the same depth ...
"Well I can't believe that I would keep
Keep you from flying
So I will cry 1000 more
If that's what it takes
To sail you home
Sail you home
Sail you home
Sail
Sail you home"
Keep you from flying
So I will cry 1000 more
If that's what it takes
To sail you home
Sail you home
Sail you home
Sail
Sail you home"
Thursday, February 27, 2014
Why Can't We Have Nice Things: Cardinal Virtues: Temperance
It surprised me to learn that studiousness is ordered to Temperance --- doesn't it seem more naturally aligned with Fortitude? If you have an interest, work with this in the background --- you won't regret it --- even better if you have time for the visual zen that is Ven. Fulton Sheen.
Watching this is like being with my grandparents. And I realize how much his thoughtful and comparably slower (than like Twitter, or Conan O'Brien or whatever) speaking style makes me itch. Which is enough proof for me of his argument here.
Okay, I have many babies to chase and snuggle. They get faster and bigger every day. Turn around and they're four years old, in high heels, opining about their daily schedule and favorite animals. I love raising little girls. *But boys are effortless, I must say! In my vast two years of experience there. : )
Conversion Diary is hosting Seven Posts in Seven Days.
Watching this is like being with my grandparents. And I realize how much his thoughtful and comparably slower (than like Twitter, or Conan O'Brien or whatever) speaking style makes me itch. Which is enough proof for me of his argument here.
Okay, I have many babies to chase and snuggle. They get faster and bigger every day. Turn around and they're four years old, in high heels, opining about their daily schedule and favorite animals. I love raising little girls. *But boys are effortless, I must say! In my vast two years of experience there. : )
Conversion Diary is hosting Seven Posts in Seven Days.
Monday, February 3, 2014
For Alberta
Just to be clear, we're of the same mind on a hundred topics. What does Savage say? "I'm to the right of Rush and to the left of God." And I loved the bio.
Tuesday, January 28, 2014
I'll say it one more time
Zmirak was the best IP (Internet Person) I "met" via Facebook. Fug yes, bro. :)
Visit Leticia while you're clicking, how about ~ she worked the desk at this one. Thank God.
Visit Leticia while you're clicking, how about ~ she worked the desk at this one. Thank God.
Monday, January 6, 2014
if badassery has initials, they are A(nthony) E(solen)
There's Equality, and Then There's Equality
"...Without men like them, we would have nothing; nothing to eat, no metal for our cars, no bricks, no stone, no wooden planks, no houses, no roads, no public buildings, no clean running water, nothing. They do work that is more than desirable. It is absolutely necessary. I teach English poetry; that is not necessary. I will not trouble to discuss sociology, feminist or otherwise."
![]() |
Fishermen Hauling the Net on Skagen's North Beach, by Peder Severin Kroyer |
Subscribe to:
Posts (Atom)